August 12 – September 6
By Samuel D. Hunter
August 12 – September 6, 2026
At the intimate Theatre Gym in the November Theatre Complex
The Bend in the Road Leads You Home
Rural Idaho. Difficult Memories. An estranged father’s house to sell. From the acclaimed author of The Whale, Little Bear Ridge Road confronts issues as wide as galaxies and as intimate as family secrets.
After the death of his long-estranged father, Ethan returns to the tiny hometown he once escaped—only to find himself face to face with the only family he has left: his sharp-tongued, fiercely independent aunt. While cleaning up years of a failing family, the two are forced to confront old pain, unfinished conversations, and the orbit that keeps pulling them back to a place they want to leave.
At its core, Little Bear Ridge Road is a deeply human story about distance and return, silence and understanding, and the complicated ways families try—and sometimes struggle—to show up for each other, even when words fall short.
Due to the nature of the space, there is no late seating for performances in the Theatre Gym. Please let us know in advance if you can’t make it by curtain time, and we will work with you to change your ticket plan.
Content Warning: Little Bear Ridge Road contains mature themes and cautions for strong language, alcohol use, terminal llness, grief, and past drug addiction.
*If you are already a 2026-2027 subscriber, please contact the box office to add this production to your subscription at the same subscription price. Little Bear Ridge Road is a bonus title and is not counted in the base four shows that make a subscription.

Artistic Team
Rick has worked as an award-winning actor, director, filmmaker, and arts manager with more than three decades of experience, formerly based in Washington, DC.
Since relocating to Richmond and joining the leadership team at Virginia Repertory Theatre, he has directed Beautiful: The Carole King Musical (for which he received an RTCC Award for Best Direction of a Musical), Murder on the Orient Express, Waitress, Misery, Martha Mitchell Calling, After December, adapted and directed VA Rep’s A Christmas Carol, and Come From Away.
He received a 2018 Helen Hayes Award for his direction of Lela & Co. and a 2020 Helen Hayes Award nomination for his direction of Agnes of God, both for Factory 449. Other directing credits include Dizzy Miss Lizzie’s Roadside Revue’s The Brontes (New York Musical Theatre Festival), Reykjavik (Rorschach Theatre), Emilie: La Marquise du Châtelet Defends Her Life Tonight (WSC Avant Bard), Driving Miss Daisy featuring Karen Grassle (Riverside Center for the Performing Arts), Junie B. Jones Is Not a Crook (Adventure Theatre MTC), Dead Man Walking (American University) and Closet Land (Factory 449).
As an actor, he has performed Off-Broadway and regionally, receiving a Helen Hayes Award for his turn as Hedwig in Signature Theatre’s production of Hedwig and the Angry Inch, as well as nominations for his work in Angels in America (Signature Theatre), Me and Jezebel (MetroStage) and Oliver! (Adventure Theatre MTC).
His debut film, signage, which he wrote, directed, and produced, has screened in over 60 film festivals worldwide, receiving 6 film festival awards and was subsequently licensed by MTV’s LOGO Channel.
He is a founder and the current Producing Artistic Director of Factory 449, the recipient of multiple Helen Hayes Awards, including the John Aniello Award for Outstanding Emerging Theatre Company, and the Executive Director of the Washington Area Performing Arts Video Archive (WAPAVA).
As Virginia Rep’s Artistic Director, he provides leadership of our programming, including our strategic planning processes. He is also our key liaison with the national theatre industry.
804-783-1688 ext. 1262
Van Montes
Scenic Designer
Van Montes, he/him, (Scenic Designer) graduated in 2024 with his B.F.A. in Scenic Design from Virginia Commonwealth University. During the week you can find him Scenic Painting at Kings Dominion. Van is thrilled to be designing his first show with Virginia Rep. He would like to thank the team at Virginia Rep for this wonderful opportunity, and his girlfriend Juliette for always taking care of him during long work days and late nights. Recent design credits include King James (Richmond Shakespeare), Witch (Richmond Shakespeare), Twelfth Night (VCUarts Theatre) and Anon(ymous) (VCUarts Theatre).
Marcia Miller Hailey
Costume Design
Marcia Miller Hailey (Costume Designer) has been working in Richmond theatres for over 30 years, and now currently works in the costume shop at Virginia Rep as a Cutter/Draper. Some of her favorite shows she designed for Virginia Rep include Beehive, Forever Plaid, Erma Bombeck: At Wit’s End, Miracle on South Division Street, Charitable Sisterhood, Charitable Sisterhood Christmas Spectacular, Last of the Red Hot Lovers, and Boeing Boeing. She has also worked for the Richmond Ballet, Virginia and Utah Shakespeare Festivals, and Royal Caribbean Cruise Lines.
Rylie Vann
Lighting Designer
Rylie Vann, she/her, (Lighting Designer) graduated in 2025 from the University of Mary Washington, and is thrilled to be designing her first show with Virginia Repertory Theatre! She has been the Assistant Lighting Designer for past productions at the Rep, including Come From Away (2026) and A Christmas Carol (2025). Around Richmond, Rylie has worked with the Richmond Ballet and is currently the Production Assistant at Allianz Amphitheatre. Other credits include productions at Signature Theatre, Folger Shakespeare Theatre, Pennsylvania Shakespeare Theatre, and Olney Theatre (upcoming).
Joey Luck
Sound Designer & Composer
Joey Luck, he/him, (Sound Designer & Composer) is very excited to be a part of this production of Little Bear Ridge Road! Some of his most recent theatre credits include Murder on the Orient Express (Virginia Rep), Our Dear Dead Drug Lord (5th Wall Theatre), The Rocky Horror Show (Richmond Triangle Players / Richmond Symphony), and small quiet good (Lynn Theatre at Brightpoint). He has received several RTCC awards for sound design, including in 2013 for A Bright New Boise (Firehouse Theatre), 2014 for Cabaret (Richmond Triangle Players), 2015 for Psycho Beach Party (Richmond Triangle Players), 2017 for The Toxic Avenger (5th Wall Theatre) 2019 for Sweeney Todd (TheatreLAB), 2022 for Small Mouth Sounds (Cadence/Virginia Rep), and 2023 for After December (Virginia Rep). Joey also designs sound and composes music for film, dance, and escape rooms and is a proud member of the Theatrical Sound Designers and Composers Association (TSDCA). Joey would like to thank his friends and family for their love and support! www.joeyluck.com
Megan Wave
Stage Manager
Megan Wave, she/her, (Stage Manager) is delighted to be making her Virginia Repertory Theatre Stage Management debut. Selected stage management credits include Our Dear Dead Drug Lord (5th Wall Theatre), DC, I Love You: First Dates and DC, I Love You: Ready or Not (The Folger Shakespeare Library), and Garrett Does Garland (Richmond Triangle Players). Various production credits include Come From Away, The Musical Adventures of Flat Stanley, and A Christmas Carol (Virginia Rep), Wolf Play (5th Wall Theatre), The Shawshank Redemption and POTUS: Or… (NextStop Theatre), Reading Room Festival 2025 (The Folger Shakespeare Library), and Ouroboros (Dance Place).
Cast
Susan Sanford *
Sarah
Susan Sanford (Sarah) was last seen on the Virginia Rep stage as Beulah and Others in Come From Away and as Mrs. Dilber in the A Christmas Carol. She was also seen in this season’s production of Murder on the Orient Express as Mrs. Hubbard. Previous roles in Richmond include Big/Little Edie in Grey Gardens with Richmond Triangle Players, The Witch in Into the Woods with Richmond Shakespeare and Toni in Appropriate with Cadence Theatre, all of which garnered her RTCC best actress awards. She is thrilled to be a part of this beautiful story. All love to Foster, Willow and Jordan.
Matt Meixler
Ethan
Matt Meixler, he/him, (Ethan) feels very fortunate to be returning to Virginia Rep, this time in the Theatre Gym. He previously appeared on the November Stage as Paul Sheldon in Misery and as Hector MacQueen in Murder on the Orient Express. Other Richmond credits include Steve in Burial Tax (Firehouse Theatre) and multiple roles in War in Pieces ’25 (Firehouse and the Virginia War Memorial). Matt is a proud graduate of NYU’s Tisch School of the Arts and extends his love and gratitude to his mother, sisters, and brother for their lifetime of support and encouragement.
Axle Burtness
James/Kenny, U/S Ethan
Axle Burtness (James/Kenny, U/S Ethan) has always been a Stargazer. An award winning actor performing in theatre and film for over 20 years; when he isn’t lost in his art, he is lost in a good book or at the river with his love. Recent stage credits: The Cottage (Beau) at Hanover Tavern with Virginia Rep, Long Days Journey Into Night (Jaime Tyrone) at Cadence Theatre, and Gaslight (Mr. Manningham) at Swift Creek Mill (2023 RTCC Winner – Best Supporting Actor). Axle thanks his incredible wife, Irene, their dog Lykota, and all his friends and family for their support.
Alanna Wilson
Vickie/Paulette, U/S Sarah
Alanna Wilson, she/her, (Vickie/Paulette, U/S Sarah) is thrilled to return to Virginia Rep after wrapping up Come From Away as a swing for Bonnie, Beulah, and Diane. Local credits include The Golden Girls: The Lost Episodes – The Holiday Edition (Richmond Triangle Players), Snapshots & From Up Here (HATTheatre), Firebringer (Dogwood Dell), She Loves Me (Homefront Players), and Winter Wonderettes (Swift Creek Mill Theatre). Alanna has performed regionally at The Ivoryton Playhouse, Gateway Playhouse, and Northern Stage, and is a graduate of TheatreVCU. Special thanks to Rick for this opportunity. This one’s for Aunt Susan.
DJ Cummings Herdoiza
U/S James/Kenny
DJ Cummings Herdoiza, he/him, (U/S James/Kenny) is an RTCC Award-nominated actor and vocalist. Regional: Chicago Shakespeare Theater, The Joffrey Ballet, the Alliance of Latinx Theatre Artists of Chicago (Chicago), TADA! Youth Theatre (New York), Virginia Repertory Theatre, 5th Wall Theatre, SPARC, Cadence Theatre Company, Richmond Triangle Players, and the Dogwood Dell Festival of Arts (Richmond). He studied Theatre at Radford University and was the winner of the Full-Ride Scholarship Competition (Top Vocalist) at MI College of Conservatory Music in Hollywood, California. Offstage, he serves as the DEI Director of Stonewall Sports Richmond and is on the management team at VisArts.
Dorothy Dee-D. Miller
U/S Vickie/Paulette
Dorothy Dee-D. Miller (U/S Vickie/Paulette) Dee D’s recent works include A Christmas Carol at Virginia Rep. “BRKLYN” the Musical on the Swift Creek Mill Stage voted best musical in the 2024 season, Hairspray as Motormouth Maybelle, at the Lee PlayHouse on For Gregg Adams multiple film and stage projects, including award-winning performances with RTP – How Black Mothers Say I Love You (individual Artsy winner for Best Supporting Performance in a Play and cast winner for Best Ensemble Acting, 2022-23 season) and Sugar in our Wounds (Artsy winner for Best Play, 2021-22) Dee D. began performing personal pieces at local poetry clubs and gatherings throughout RVA in 2010 and began acting in 2013. She is also a contemporary artist, and in her spare time, she writes, paints, and sculpts.